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For one night, Greensboro became “Steensboro,” according to a fan-made banner held aloft by Bruce Springsteen during his concert at the Greensboro Coliseum on Saturday.

It sure seemed that way, as Springsteen and the E Street Band were received like conquering heroes during an exhilarating three-hour show that repeatedly drove the adoring, near-sellout crowd into fist-thrusting, sing-along frenzies.

As he has in the past, Springsteen gave Greensboro a particularly energetic show partly because the audience accorded him such an enthusiastic reception.

During his encore, Springsteen made a comment I’ve heard echoed over the decades by other touring musicians: “Greensboro is consistently one of the best audiences in the United States.”

He performed nonstop for three hours in a show that mixed older classics (“Badlands,” “Growin’ Up,” “Promised Land”) with relative rarities (“Seeds,” “Johnny 99,” an electric “Ghost of Tom Joad”) and songs drawn from recent albums (“Radio Nowhere,” “Outlaw Pete,” “Working on a Dream.”)

One particularly moving section linked the inspirational “Lonesome Day” and “The Rising” — songs about dealing with and rising above the events of Sept. 11, 2001 — with the still-anthemic “Born to Run,” which brought the trilogy to a thrilling crescendo.

Springsteen and the E Street Band also paid homage to their roots in garage-rock and soul music of the 1960s with a three-song interlude of Eddie Floyd’s “Raise Your Hand,” Johnny Rivers’ “Seventh Son” (written by bluesman Willie Dixon) and the McCoys’ “Hang On Sloopy.”

The latter two were part of a “Stump the Band” section that elicited printed entries from audience members. Springsteen ventured into the crowd to collect a pile of banners and posters. Although he quickly handed back one that read “Helter Skelter,” he honored the request of a fan who flew down from New York hoping to hear him perform “I’m on Fire” (from “Born in the U.S.A.”)

Noticeably missing from the E Street Band was Springsteen’s wife, Patti Scialfa; he explained she was still sore after falling from a horse. But E Street was still plenty crowded, with two guitarists (Nils Lofgren and longtime Springsteen foil Steve Van Zandt), two keyboardists, and violinist Soozie Tyrell (who also doubled on mandolin and acoustic guitar).

Happily, saxophonist Clarence Clemons — who also played percussion and pennywhistle — appeared considerably more ambulatory and involved than on the previous tour.

There also was some new blood on hand, as drummer Max Weinberg’s 18-year-old son, Jay, pounded the skins for roughly half the concert, including the entire six-song encore.

He brought fresh energy to the E Street Band, loosening up and lighting a fire under the band. No disrespect to his dad, but Jay Weinberg was a phenomenal spark plug.

The encore was a miniconcert in itself, including an old lament by Stephen Foster (“Hard Times”), two chestnuts from “Born to Run” (“Thunder Road,” “Tenth Avenue Freeze-Out”) and a rousing, topical Irish jig (“American Land”).

Springsteen exited with “Glory Days,” leaving fans satisfied and exhausted.

There’s not much more to say but, “Come back to Steensboro anytime, Bruce.”

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